**LA Woman**
“LA Woman” is a cannabis strain that stands out for its unique lineage and effects. Originating from the bustling cannabis scene of Los Angeles, #1excludeGlossary is a hybrid strain born from the union of LA Confidential and Martian Mean Green. This strain has gained popularity for its ability to deliver a well-rounded experience, combining the best of both indica and sativa effects. The name “LA Woman” not only reflects its geographical origins but also its appeal to those seeking a sophisticated and balanced high. As the cannabis industry continues to evolve, “LA Woman” remains a staple for those who appreciate a strain that offers both relaxation and mental clarity. Its complex flavor profile, featuring notes of earthiness and sweetness, makes it a favorite among connoisseurs. The journey of “LA Woman” from its inception to its current status highlights the dynamic nature of cannabis breeding and the #6excludeGlossary demand for unique strains. [Source: High Times, Cannabis Now]
| L.A. Woman | ||||
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| Released | April 19, 1971 | |||
| Recorded | December 1970 – January 1971 | |||
| Studio | The Doors' Workshop, Los Angeles | |||
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| Length | 48:25 | |||
| Label | Elektra | |||
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| The Doors chronology | ||||
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| Singles from L.A. Woman | ||||
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L.A. Woman is the sixth studio album and final major-label album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
"Love Her Madly" was released as a single in March 1971, preceding the album's release, and reached the Top 20 on the Billboard Hot 100. Upon release, the album peaked at number nine on the Billboard 200 and reached number 28 on the UK Albums Chart. The track "Riders on the Storm" also achieved chart success.
Critics including Richie Unterberger and David Quantick have called L.A. Woman one of the Doors' best albums, citing Morrison's vocal performance and the band's stripped-down return to their blues-rock roots.